Screening the Past

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1970s
1970s Film Theory
A01=Pam Cook
Alexander Mackendrick
Author_Pam Cook
Bigelow's Films
British melodrama analysis
Category=ATF
Category=GTC
Christian Dior
cinema historiography
cinematic nostalgia research
Classic Hollywood System
Classical Hollywood Cinema
collection
Dorothy Arzner
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
film memory studies
Gainsborough Films
Gainsborough Melodramas
Gangster Film
gender representation film
Gender Specific Address
Gold Diggers
Independent Women
kathryn
kobal
Kobal Collection
Low Budget Exploitation
Low Budget Exploitation Cinema
makers
Mildred Pierce
narrative identity theory
Newland Archer
pictures
Popular British Cinema
postwar film culture
Raging Bull
theory
Vice Versa
Woman Film Maker
women
women's
Women's Cinema
Women's Melodrama
Women's Picture

Product details

  • ISBN 9780415183758
  • Weight: 490g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Oct 2004
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles.

Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians.

Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory.

Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.

Pam Cook is Professor of European Film and Media at the University of Southampton. She is co-editor of The Cinema Book (BFI, 1999), and her many publications on film include Fashioning the Nation: Costume and Identity in British Cinema (BFI, 1996) and I Know Where I'm Going! (BFI, 2002)

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