Scripting Citizenship

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2011
A01=Gianluca Parolin
agency
Arab World
Author_Gianluca Parolin
Category=ATY
Category=JBC
Category=JBCT2
Communication
Comparative Constitutionalism
constitution
Cultural Anthropology
democracy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
History
investigation
Justice Representation
Law and Society
Legal Theory
Media Studies
Middle East
policing
Politics
Public Sphere
Screen
Social Theory
Visual Culture

Product details

  • ISBN 9781649035592
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Sep 2026
  • Publisher: American University in Cairo Press
  • Publication City/Country: US
  • Product Form: Hardback
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How ideas of law, justice, and agency are visualized and contested in Egyptian television crime dramas

What has citizenship come to mean in Egypt after 2011? Since 2007, constitutions have proclaimed it as the foundation of Egypt’s democratic system, yet the everyday workings of citizenship often unfold in the shadows of legal texts. Gianluca Parolin thus turns to Egyptian television drama—specifically, the emerging crime genre of the 2010s—to explore how ideas of law, justice, and agency are visualized and contested on screen.

Unlike its prominence elsewhere, crime drama has not historically been acknowledged as a distinct genre on Egyptian television. Yet during the 2010s, a recognizable crime formula began to take shape across a large number of incarnations. This book identifies the emergence of this formula, which embodies ways of imagining the relationship between citizens, law, and the state. Through depictions of investigation, policing, and civic intervention, these dramas portray citizens stepping in to restore justice when law enforcement fails to deliver on its most basic promise.

Combining distant readings of broad trends across the decade’s television output with close readings of key series, Scripting Citizenship examines how this formula flourished within Egypt’s tightly regulated media landscape, and how it displayed formidable resilience through the transformations of the late 2010s.

In doing so, the book develops a jurisprudential reading of the Egyptian crime formula—a legal theory in which drama casts its own light across the shadows of legal texts, revealing a visual definition of citizenship for viewers and scholars alike.

Gianluca Parolin writes at the intersection of comparative constitutionalism, legal theory, and law and culture. His work is marked by a persistent effort to approach foundational questions of citizenship through unconventional theoretical frameworks. He is the author of Citizenship in the Arab World (2009).

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