Sculpted Thresholds and the Liturgy of Transformation in Medieval Lombardy

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altars
Ambrosian liturgy studies
Ambrosian Rite
Archbishop Leo
architecture
art history
Author_Gillian B. Elliott
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bishop
Byzantine
Castello Sforzesco
Category1=Non-Fiction
Category=ACK
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Christ Enthroned
Christianity
Church Consecration
Church Portal
churches
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Domus Dei
Early Christian
Early Christian Basilicas
Empress Adelaide
episcopal
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Eucharistic Controversy
gate of heaven
gatekeeper
Grape Vine
Gregorian Reform
heaven
Italy
King Liutprand
Language_English
Lion Throne
liturgical art history
Liturgical Objects
Liturgical Processions
MAEC
medieval ecclesiastical power
Milan
North Italian portal sculpture research
Otto III
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patronage
politics
Porta Coeli
Potnia Theron
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relics
Romanesque
Romanesque church architecture
sacred space analysis
Saint Ambrose
San Pietro
San Vittore
Sculptural Program
sculpture
softlaunch
spatial methodologies in churches
theology
Tollite Portas
Traditio Legis
Wise Virgins

Product details

  • ISBN 9781032119724
  • Weight: 470g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted “gateways” of churches in the north Italian region of Lombardy.

Gillian B. Elliott examines the liturgical connection between the ciborium over the altar (the most sacred threshold inside the church), and the sculpted portals that appeared on church exteriors in medieval Lombardy. In cities such as Milan, Civate, Como, and Pavia, the liturgy of Saint Ambrose was practiced as an alternative to the Roman liturgy and the churches were constructed to respond to the needs of Ambrosian liturgy. Not only do the Romanesque churches in these places correspond stylistically and iconographically, but they were also linked politically in an era of intense struggle for ultimate regional authority. The book considers liturgical and artistic links between interior church furnishings and exterior church sculptural programs, and also applies new spatial methodologies to the interior and exterior of churches in Lombardy.

The book will be of interest to scholars working in art history, medieval studies, architectural history, and religious studies.

Gillian B. Elliott is Professorial Lecturer of Art History at George Washington University.

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