Sculpture and Psychoanalysis

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A01=Brandon Taylor
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Author_Brandon Taylor
Breton's Text
Breton’s Text
Brian Grosskurth
Carolee Schneemann
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David Hulks
Dora Maar
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Free Flow Situation
Freudian theory
Georges Didi-Huberman
Gradual Sinking
Grant Pooke
Hans Bellmer
Hesse's Work
Hesse’s Work
Hors Limites
ilya
Ilya Kabakov
Imperious Unity
Jacint Verdaguer
Judd's Identity
Judd’s Identity
kabakov
Kleinian analysis
Lacanian psychoanalysis
Laplanche's Terms
Laplanche’s Terms
Martin Golding
Mignon Nixon
Migratory Locusts
modern art criticism
object relations theory
Objet Petit
Psychoanalyst Jean Laplanche
psychoanalytic approaches to sculpture
Rebecca Horn
Schneemann
Sculptural Object
Simon Baker
St Martin's School
St Martin’s School
Surrealist aesthetics
Tim Martin
Young Man

Product details

  • ISBN 9781138253032
  • Weight: 362g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Just what do psychoanalysis and modern sculpture have to do with one another? The present collection of essays, unique in its field, shows how key metaphors of Freudian and Kleinian psychoanalysis - splitting, projection, sublimation, identification, the schizoid and reparative mechanisms - as well as Lacan's concepts of the stade du mirroir and the objet petit a, can be fruitfully applied to a range of modern three-dimensional art, from Surrealism to the present day. As these essays show, figures such as Barbara Hepworth, Eva Hesse, Jean-Jacques Lebel, Robert Morris, Donald Judd, Gilbert and George, Rebecca Horn and others have often approached the material of sculpture with something like these mechanisms in mind. The need to unlock the levels of psychoanalytic connection between artist, object and viewer in recent debate has fuelled the diverse proposals of this original and important book.
Brandon Taylor is Professor of History of Art at the University of Southampton, UK

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