Sculpture of Reform in North Italy, ca 1095-1130

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A01=Dorothy F. Glass
Apse Inscription
Author_Dorothy F. Glass
Benedictine Abbey
Benedictine monasticism
Category=AB
cathedral faA?ade iconography
centre
Centre Portal
Christ Child
Contra Judaeos
doorpost
ecclesiastical power dynamics
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
flank
Gregorian Reform art
gregory
Gregory VII
Henry III
Henry IV
Infancy Cycle
Investiture Controversy
Italian Romanesque sculpture
left
Left Doorpost
Leo III
medieval church patronage
North Flank
Ordo Prophetarum
paschal
Paschal II
portal
reform movement in medieval Italy
romanesque
Romanesque Sculpture
Saint John Lateran
San Tommaso
Silva Candida
Simoniacal Priest
south
South Flank
Stephen IX
Urban II
vii
Vita Mathildis
Young Man

Product details

  • ISBN 9781409400028
  • Weight: 771g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jul 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Entirely original in its methodology, this study offers a fresh approach to the study of Romanesque façade sculpture. Declining to revisit questions of artistic personalities, artistic style and connoisseurship, Dorothy F. Glass delves instead into the historical and historiographical context for a group of significant monuments erected in Italy between the last decade of the eleventh century and the first third of the twelfth century. In her reading, local culture takes precedence over names, context over connoisseurship; she argues that it was the cultural, intellectual and religious life of the abbeys of San Benedetto Po and Nonantola that provided the framework for the Reformist ethos of much of the sculpture adorning the cathedral of Modena. Glass argues that the monuments are deeply rooted in the concerns of the reform of the church, more commonly known as the Gregorian Reform, that these reform ideas and ideals were first fomented in monastic communities and then adopted by the new cathedrals built in cities that, freed of submission to imperial German rule, had recently rejoined the papal fold. The Sculpture of Reform in North Italy, ca 1095-1130: History and Patronage of Romanesque Façades moves scholarship beyond continuously reiterated opinions concerning style, attribution, chronology, origins and influence, instead opening new and fruitful lines of inquiry into the patronage and historical significance of these extraordinary monuments.

Dorothy F. Glass is the author of Studies on Cosmatesque Pavements, Italian Romanesque Sculpture: An Annotated Bibliography, Romanesque Sculpture in Campania: Patrons, Programs and Style, and Portals, Pilgrimage and Crusade in Western Tuscany.

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