Sebastiano del Piombo and the World of Spanish Rome

Regular price €204.60
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Piers Baker-Bates
Agostino Chigi
Author_Piers Baker-Bates
Boijmans Van Beuningen
Category=AGA
Category=AGB
Chamber Clerks
Chigi Chapel
Clement VII
De Vich
Della Consolazione
early modern
early modern Italy Spain
Early Sixteenth Century Rome
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fortuna Critica
High Renaissance
High Renaissance painting
imperial court influence
imperialism
Italian art history
Italy
Juan De Flandes
La Fornarina
Madonna Del Parto
Michelangelo
Paris De Grassis
patronage
patronage networks
patrons
Paul III
Raphael
Renaissance
Renaissance studies
Rodolfo Pallucchini
Santa Maria Del Popolo
Santa Maria Della Consolazione
Santa Maria Della Pace
Sebastiano Del Piombo
Sebastiano's Art
Sebastiano's Career
Sebastiano's Paintings
Sebastiano's Works
Sebastiano’s Art
Sebastiano’s Career
Sebastiano’s Paintings
Sebastiano’s Works
sixteenth century
sixteenth century artistic patronage
Spain
Sta Maria
transcultural
transcultural artists
Young Man

Product details

  • ISBN 9781472466020
  • Weight: 650g
  • Dimensions: 174 x 246mm
  • Publication Date: 24 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English.

In this study, Piers Baker-Bates approaches Sebastiano’s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano’s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano’s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his career

The author investigates the domination of Sebastiano’s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates’ characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.

Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano’s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.

Piers Baker-Bates is a Research Associate in Art History at the Open University, UK. He is co-editor of The Spanish Presence in Sixteenth-Century Italy (2015).

More from this author