Second Wave (Routledge Revivals)

Regular price €112.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=John Russell Taylor
Alam Ein
Angels Weep
anity
Author_John Russell Taylor
avant-garde performance studies
British theatrical movements
Category=ATD
Category=DSBH
Category=DSG
Cock Horse
contemporary theatre criticism
court
Crim Ea
Dramatic Attention
E S M
Em Body
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fam
Full Length Stage Play
Girl Friend
Governor's Lady
Governor’s Lady
Harecastle Tunnel
hum
Hum Anity
ily
Joe Egg
Judgem Ent
Military Man
modern British drama research
National Youth Theatre
Newer British Dramatists
Nuclear Disarmament
oyal
Party Game
peter
play
Play Things
playwrights of the 1970s
Pop Stars
Raym Ond
Real Inspector Hound
repertory theatre analysis
Serjeant Musgrave's Dance
Serjeant Musgrave’s Dance
social realism in plays
television
terson
Young Men

Product details

  • ISBN 9780415727907
  • Weight: 600g
  • Dimensions: 138 x 216mm
  • Publication Date: 25 Sep 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

In the 1970s the revolution that had swept the British theatre in the 1950s had already become accepted as the new establishment. Areas that had been previously regarded as remote ideals - including permanent repertory companies, a lively provincial theatre and an extensive spread of avant-garde and fringe theatrical activities - were now considered commonplace. In this title, first published in 1971, John Russell Taylor assesses the prospects of the British theatre at the start of the 1970s and indicates its points of weakness and its strengths. In this context are placed the key figures among the Second Wave of dramatists, and detailed critical commentaries on the work of writers such as David Mercer, Tom Stoppard and Peter Terson. This is an indispensable introduction for any student with an interest in the history and development of the British theatre and the people who have played instrumental roles in this.

More from this author