Secret Life of Theater

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A01=Brian Kulick
Abraham and Isaac
Abu al hasan
Act III
Agamemnon Redux
ancient Greek drama
Angels in America
Antigone
Aristotle
audience empathy
Author_Brian Kulick
Borges
Brecht's Antigone
Brecht’s Antigone
Category=AFKP
Category=ATD
Chester Cycle
Claudio Monteverdi
Clock Time
dramatic theory
Drawn Back
Electra
emotional cognition in performance
Empty Urn
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Faust
Galileo
Gotthold Ephraim Lessing
Human Kind
Main Character
Natya Sastra
Paideia
performative ritual
Periagoges
Plato
Plato's Prisoner
Plato’s Prisoner
Pope Urban VIII
Richard III
Ritual
Romeo and Juliet
Shakespeare's Late Plays
Shakespeare’s Late Plays
Sophocles
Spatial Temporal Boundaries
stage semiotics
Subjective Universal
Tartuffe
The Winter's Tale
The Winter’s Tale
theatrical phenomenology
Three Sisters
Unnamed Interlocutor
Verse
Verse Line
Wittgenstein
Wittgenstein's Paradox
Wittgenstein’s Paradox
Young Man

Product details

  • ISBN 9781138334588
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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What is the secret DNA of theater? What makes it unique from its sister arts? Why was it invented? Why does it persist? And now, in such an advanced technological age, why do we still feel compelled to return to a mode of expression that was invented over two thousand years ago? These are some of the foundational questions that are asked in this study of theater from its inception to today.

The Secret Life of Theater begins with a look at theater’s origins in Ancient Greece. Next, it moves on to examine the history and nature of theater, from Agamenon to Angels in America, through theater’s use of stage directions, revealing the many unspoken languages that are employed to communicate with its audiences. Finally, it looks at theater’s ever-shifting strategies of engendering fellow-feeling through the use of emotion, allowing the form to become a rare space where one can feel a thought and think a feeling.

In an age when many studies are concerned with the "how" of theater, this work returns us to theatre’s essential "why." The Secret Life of Theater suggests that by reframing the question we can re-enchant this unique and ever-vital medium of expression.

Brian Kulick was the Artistic Director of Classic Stage Company and former Artistic Associate at The Public Theatre. He has staged the works of Shakespeare, Brecht, and Tony Kushner. He teaches theater directing at Columbia University’s School of the Arts with Anne Bogart.

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