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Seeing Across Cultures in the Early Modern World
Seeing Across Cultures in the Early Modern World
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15th
16th
Akbar's Court
Akbar's Interest
akbars
Akbar’s Court
Akbar’s Interest
Alva Ixtlilxochitl
Alvarado Tezozomoc
bartolomeo
Bartolomeo Passarotti
Black Christs
Category=AB
Category=NHB
Category=NHTQ
centuries
Claire Farago
colonial visualities
court
cross-cultural encounters
Dana Leibsohn
De Bry's Engraving
De Bry’s Engraving
early modern sensory perception
Early Modern Visuality
East India Company's Resident
East India Company’s Resident
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
global visual practices analysis
Historia Tolteca Chichimeca
Jacques Le Moyne
Jeanette Favrot Peterson
late
Late 15th Early 16th Centuries
Le Moyne
Linear Perspective
Liza Oliver
Mark Hinchman
material culture studies
Mia M. Mochizuki
Moctezuma II
Monumental Decay
moyne
Mughal Court
Mughal Painting
Natasha Eaton
passarotti
Patrick Thomas Hajovsky
Perspective
Pieter Saenredam
Rajput Painting
Saleema Waraich
Saleema Wilson
Salvator Mundi
Sixteenth Century Bologna
Todd P. Olson
transcultural art history
visual epistemology
visuality
Vivant Denon
Xipe Totec
Yoriko Kobayashi-Sato
Product details
- ISBN 9781138273986
- Weight: 680g
- Dimensions: 156 x 234mm
- Publication Date: 26 Oct 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
What were the possibilities and limits of vision in the early modern world? How did political expansion, cross-cultural trade, scientific exploration and discrete religious practices require new ways of rendering the unknown visible, and of making what was seen knowable? Drawing upon experiences forged in Europe, Asia, Africa and the Americas, Seeing Across Cultures argues that distinctive ways of habituating the eyes in the early modern period had epistemic consequences: in the realm of politics, daily practice and the imaginary. The essays here consider prints and panoramas, sculpted works of stone and corn pith cane - and their physical presence in the lived world - calling attention to the materiality and sensuality of visual experience. Anchored in writings on art history and visual culture, Seeing Across Cultures also engages histories of transcultural encounters and vision.
Dana Leibsohn is Priscilla Paine van der Poel Professor of Art History at Smith College, USA. Jeanette Favrot Peterson is an Associate Professor of History of Art and Architecture at the University of California, Santa Barbara, USA.
Seeing Across Cultures in the Early Modern World
€72.99
