Seeing Animals after Derrida

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A32=Bonnie Gill
A32=David Brooks
A32=David Huebert
A32=José Alaniz
A32=Malin Palani
A32=Megan E. Cannella
A32=Nicole Mennell
A32=Rodolfo Piskorski
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animal studies
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B01=James Tink
B01=Sarah Bezan
Category1=Non-Fiction
Category=DS
Category=DSBH
Category=PSAF
Category=PSV
Category=PSVS
Category=WN
COP=United States
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Derrida
environmental humanities
eq_bestseller
eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_science
Language_English
ocularcentrism
PA=Available
post-deconstruction
posthumanism
Price_€100 and above
PS=Active
softlaunch
visuality

Product details

  • ISBN 9781498540599
  • Weight: 608g
  • Dimensions: 157 x 240mm
  • Publication Date: 27 Nov 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This volume charts a new course in animal studies that re-examines Jacques Derrida's enduring thought on the visualization of the animal in his seminal Cerisy Conference from 1997, The Animal That Therefore I Am. Building new proximities with the animal in and through - and at times in spite of - the visual apparatus, Seeing Animals after Derrida investigates how the recent turn in animal studies toward new materialism, speculative realism, and object-oriented ontology prompts a renewed engagement with Derrida's animal philosophy. In taking up the matter of Derrida's treatment of animality for the current epoch, the contributors to this book each present a case for new philosophical approaches and aesthetic paradigms that challenge the ocularcentrism of Western culture.

Sarah Bezan is PhD candidate in English at the University of Alberta.

James Tink is associate professor in the Department of English Literature at Tohoku University, Sendai.