Selected Writings, Volume 2

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2015 Venice Biennale
A01=Okwui Enwezor
African American grief
African art discourse
African National Congress
Akomfrah
Art Institute of Chicago
artworld ecologies
Author_Okwui Enwezor
Black Atlantic
Black Audio Film Collective
Black self-representation
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Category=JBSL
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Christopher Olfili
cinematic installations
Claude Levi-Strauss
Contemporary art
contemporary curating
curatorial counterinsurgency
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Fondation Louis Vuitton
Gabriel Orozco
Gerhard Richter
Glenn Ligon
Harald Szeemann
Haus der Kunst Munich
International Center of Photography New York
Jacques Derrida
Julie Mehretu
Kendell Geers
Los Angeles County Museum
Musuem of Modern Art Fort Worth
Nari Ward
Nelson Mandela
Pepon Osorio
Postcolonial constellation
postcoloniality
Ralph Ellison
Rirkrit Tiravanija
Second International Biennial of Contemporary Art of Seville
Steve McQueen
Stuart Hall
Studio Museum Harlem
Whitney Museum of American Art
William Kentridge

Product details

  • ISBN 9781478031567
  • Weight: 445g
  • Dimensions: 178 x 254mm
  • Publication Date: 05 Aug 2025
  • Publisher: Duke University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Okwui Enwezor is widely regarded as a leader among the brilliant curators who emerged in the 1990s to set agendas for understanding the global expansiveness of contemporary art. Among his pathfinding exhibitions were the second Johannesburg Biennale (1997), the paradigm-shifting Documenta 11 (2002), Archive Fever (2008), and Postwar (2016). In addition to his groundbreaking curatorial work, Enwezor was also a prolific critic, essayist, and theorist. Selected Writings-a landmark two-volume set-brings together Enwezor’s most influential and foundational works. Spanning a quarter-century, these selections reflect the depth and breadth of Enwezor’s writing and its role in his tireless efforts to decolonize the art world. Volume 2, Curating the Postcolonial Condition, includes seventeen essays written between 2006 and 2019. Drawn from exhibition catalogs, art journals, interviews with artists, art reviews, curatorial statements, historical studies, and book chapters, these texts show him striving to fulfil the second main ambition that drove his career: enabling a critical, diasporic imagining of postcoloniality that would become pervasive within global art discourse. Demonstrating that his writing helped fulfill this goal, this collection reaffirms Enwezor’s status as a transformational figure in the global contemporary art world.
Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and coauthor of numerous books and exhibition catalogs.

Terry Smith is Andrew W. Mellon Emeritus Professor of Contemporary Art History and Theory at the University of Pittsburgh and Professor at Large, The Africa Institute, Global Studies University, Sharjah.

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