Self-Centred Art

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A01=Jakub Boguszak
actor part-scripts
Adam Overdo
Apprentice parts
Author_Jakub Boguszak
Bartholomew Fair
Bitter Fool
Category=AB
Category=AFKP
Category=ATD
Category=DDA
Category=DS
Category=DSG
Category=YPCA91
character construction
Cynthia's Revels
Dame Pliant
dramatic cue analysis
Early Modern Actor
early modern drama
Eastward Ho
EMO
English Renaissance theatre
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Humorous parts
John Heminges
Jonson's Comedies
Jonson's comic characters
Jonson's Plays
Jonson's Praise
Jonson's Sense
Lady Frampul
Lady Loadstone
Magnetic Lady
Party Games
Pembroke's Men
performance studies
Play Back
Playhouse Manuscript
reconstructing actor roles in comedies
Returned Cues
Self-centred art
Spectating Parts
Sweet Fools
Walter Burre
Young Man

Product details

  • ISBN 9780367515638
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them.

Jakub Boguszak shows how the idiosyncrasies of Jonson’s comic characters were thrown into relief in actors’ part-scripts—scrolls containing a single actor’s lines and cues—some five hundred of which are reconstructed here from Jonson’s seventeen extant plays. Reading Jonson’s spectating parts, humorous parts, apprentice parts, and plotting parts, Boguszak argues that the kind of self-absorption which defines so many of Jonson’s famous comic creations would have come easily to actors relying on these documents. Jonson’s actors would have moreover worked on their cues, studied their speeches, and thought about the information excluded from their parts differently, depending on the type they had to play. Boguszak thus shows that Jonson brilliantly adapted his comedies to the way the actors worked, making the actors’ self-centredness serve his art.

This book addresses Jonson’s dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies. In doing so, it presents a new way of understanding not just Ben Jonson, but early modern theatre at large.

Jakub Boguszak is a Lecturer in Shakespeare and Early Modern Theatre at the University of Southampton, UK. His published work includes studies of Shakespeare, Jonson, and early modern drama in performance and in print.

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