Self-Determined First Nations Museums and Colonial Contestation

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A01=Robert Hudson
A01=Shannon Woodcock
Aborigines Protection Board
Ancestor Objects
Author_Robert Hudson
Author_Shannon Woodcock
Category=GLZ
Category=JBCC
Category=JBSL
Category=JHB
Category=JHMC
Category=NHTB
Category=NHTQ
Category=NHTR
Category=WTHM
Colonial Museum
Colonial Occupation
community curation
Critical Indigenous Studies
cultural repatriation
decolonising heritage
East Gippsland
Eel Trap
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
ethnographic collections
Fire Stick Farming
Good White People
Heritage Network
Indigenous museology
Indigenous museum practice case study
Interface Space
Koori Community
Koori People
Lake Tyers
Museum Studies
Musk Duck
NAIDOC Week
Pitt Rivers Museum
Rob's Work
Rob’s Work
Settler Time
sovereignty studies
Tribal Museums
Turtle Island
White Colonists
White Institutional Space
Young Man

Product details

  • ISBN 9780367641771
  • Weight: 280g
  • Dimensions: 138 x 216mm
  • Publication Date: 04 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Self-Determined First Nations Museums and Colonial Contestation explores Indigenous practices of curation, object repatriation, and cross-cultural community engagement in a dynamic Koori museum.

Grounded in the fact that Gunai Kurnai people have never ceded sovereignty, the text reorients dominant temporal and colonial approaches of museum studies to document and theorise Gunai Kurnai self-presentation and community engagement in the Krowathunkooloong Keeping Place. Researched and co-authored by the Cultural Manager of the Keeping Place, Gunai Kurnai Monero Ngarigo man Robert Hudson, and white Historian Shannon Woodcock, the book traces the temporal, social, and cultural considerations of the Elders who curated the permanent exhibition in the early 1990s. Discussing community management of a collection growing through the ongoing repatriation of tools, art, and Ancestor remains, the text also explores how Robert Hudson engages with visitors to the Keeping Place and local colonial history museums, and theorises the power of Gunai Kurnai work with individuals and institutions in the small museum context. Finally, Hudson and Woodcock demonstrate that the Keeping Place articulates sophisticated Gunai Kurnai-grounded methodologies of museum practice in relation to international critical Indigenous studies scholarship.

Self-Determined First Nations Museums and Colonial Contestation provides a vital case study of an Indigenous museum space written from an inside perspective. As such, the book will be essential reading for scholars and students engaged in the study of museums and heritage, Indigenous peoples, decolonisation, race, anthropology, culture, and history.

Robert Hudson is a Gunai Kurnai Monero Ngarigo man and Cultural Manager of the Krowathunkooloong Keeping Place.

Dr. Shannon Woodcock is a white historian.

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