Self Help Graphics at Fifty

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alternative arts center
artists of color
automatic-update
B01=Karen Mary Davalos
B01=Tatiana Reinoza
Boyle Heights
Category1=Non-Fiction
Category=AB
Category=AC
Category=AGA
Category=JBSL
Category=JBSL1
Category=JFSL
Category=JFSL1
Category=JFSL4
Chicano-Mexican Public Art
community
community art making
COP=United States
creative placemaking
cultural center
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
historical spaces
history of east los angeles art community
la touchstone
Language_English
Latinx art
PA=Available
political activism
Price_€50 to €100
printmaking
PS=Active
social movements
softlaunch
studio
underrepresented artists

Product details

  • ISBN 9780520390867
  • Weight: 1089g
  • Dimensions: 178 x 254mm
  • Publication Date: 25 Apr 2023
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The definitive history of a cherished East Los Angeles institution over five decades of art making and community building.
 
Self Help Graphics at Fifty celebrates the ongoing legacy of an institution that has had profound aesthetic, economic, and political impact on the formation of Chicanx and Latinx art in the United States.
 
Officially launched in 1973 during the Chicano Movement, Self Help Graphics & Art continues to serve on the cultural front. The institution’s commitment to art, dignity for all, and empowerment of Chicanx and Latinx artists appears in every aspect of programming, including the Día de los Muertos festival; the Barrio Mobile Art Studio, which brings art education to underserved schools; and the printmaking program, which offers an accessible medium infused with activist aims. Looking at the multiple genealogies of art that intersect in East Los Angeles, Self Help Graphics at Fifty bears witness to the organization’s influential role in US and global art histories.

Tatiana Reinoza is Assistant Professor of Art History at the University of Notre Dame. She is the author of Reclaiming the Americas: Latinx Art and the Politics of Territory.
 
Karen Mary Davalos is Professor of Chicano and Latino Studies at the University of Minnesota, Twin Cities. She is the author of Chicana/o Remix: Art and Errata Since the Sixties.