Selfie Machine

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A01=Anirban K. Baishya
activism
aesthetics
Asian studies
Author_Anirban K. Baishya
Category=AJCP
Category=JBCT
Category=JBSL
Category=JP
cellphone market
communication practices
communications
Creator Culture
cultural impact
cultural studies
Digital Activism
digital media culture
economy
Election selfies
electoral politics
entrepreneurship
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
Facebook
following
forthcoming
hashtags
Influencer
Instagram
Instagram Reels
liking
media studies
microcelebrity
movements
Online Movements
politics
protest
protests
Reels
reposting
self-presentation
selfie culture
selfie stick
Selfies
Short Videos
shorts
social media
sociological impact
sociological perspective
South Asian
South Asian studies
technology
TikTok
YouTube
YouTube shorts

Product details

  • ISBN 9781978847156
  • Dimensions: 156 x 235mm
  • Publication Date: 10 Nov 2026
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
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The Selfie Machine offers novel insight into personalized communication practices in the digital age through the medium of the selfie. While the selfie has achieved notoriety due to pop-psychology accounts of Narcissism-related selfie "disorders," this book examines the selfie as a mode of meaning making and self-presentation that includes not just still images, but also short videos, hashtag practices and economies of liking and following. In taking India as the starting point of its investigation, The Selfie Machine inverts the "West-then-the-rest" model of understanding global digital media practices. The book considers selfie culture's impact on personal and public digital practices and trends—ranging from cellphone markets, to influencer entrepreneurship and microcelebrity, to the conduct of politics and protest. In doing so, it not only offers an expanded definition of selfies in digital media culture, but also demonstrates how "global" digital media (including selfies) cannot be understood as a monolith.

Anirban K. Baishya is an assistant professor at the Department of Communication Arts at the University of Wisconsin-Madison and coeditor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene.

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