Sense and the Senses in Early Modern Art and Cultural Practice
Regular price
€62.99
14 days return policy
Shipping & Delivery
Agnolo Bronzino
Alessandro Algardi
Alessandro Arcangeli
Alice E. Sanger
Antonio Barberini
Baroque visual analysis
Bitter Orange
Bitter Orange Trees
Botanical Prints
campo
Campo Marzio
Cappella Paolina
Cardinal Antonio Barberini
Category=AB
Christ Child
cultural rituals Europe
Danse Macabre
De Remediis
Dead Dancers
Early Modern Collectors
early modern sensory studies
embodiment in art theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Geraldine A. Johnson
Giardino Segreto
Giorgi's De Harmonia Mundi
Giorgi’s De Harmonia Mundi
Holbein's Woodcut
Holbein’s Woodcut
Lisa M. Rafanelli
marzio
Mindy Nancarrow
multisensory perception history
Ointment Jar
Onion Metaphor
Palazzo Barberini
Pars Urbana
Phillippa Plock
Pier Jacopo Alari Bonacolsi
Posthumous Inventory
remediis
Renaissance material culture
Robert W. Gaston
sensory experience in early modern art
Siv Tove Kulbrandstad Walker
Sophie Oosterwijk
Susan Russell
Suzanne B. Butters
Triton Fountain
Young Man
Product details
- ISBN 9781138110120
- Weight: 500g
- Dimensions: 174 x 246mm
- Publication Date: 31 May 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Employing a wide range of approaches from various disciplines, contributors to this volume explore the diverse ways in which European art and cultural practice from the fourteenth through the seventeenth centuries confronted, interpreted, represented and evoked the realm of the sensual. Sense and the Senses in Early Modern Art and Cultural Practice investigates how the faculties of sight, hearing, touch, taste and smell were made to perform in a range of guises in early modern cultural practice: as agents of indulgence and pleasure, as bearers of information on material reality, as mediators between the mind and the outer world, and even as intercessors between humans and the divine. The volume examines not only aspects of the arts of painting and sculpture but also extends into other spheres: philosophy, music and poetry, gardens, food, relics and rituals. Collectively, the essays gathered here form a survey of key debates and practices attached to the theme of the senses in Renaissance and Baroque art and cultural practice.
Alice Sanger and Siv Tove Kulbrandstad Walker.
