Sensible Objects

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Aid Virus
Alert Bay
Bored Stones
Cape Jasmine
Category=JHM
Category=JHMC
Category=UBJ
Category=WTHM
Category=YBLN1
Colonial Gothic
colonialism
Culture Historical Mappings
Domestic Science Movement
Dried Salmon
Elgar's Music
Elgar’s Music
endow objects
eq_activity-picture-books
eq_baby-toddler-early-learning
eq_bestseller
eq_childrens
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
ethnographic analysis
Foundational Schema
Hops Fields
Hudson's Bay Blankets
Indigenous Artifacts
indigenous knowledge systems
material culture
multisensory perception
Museum Discourse
Museum Objects
Museum Of Anthropology
museums
Object Rights
Pacific Hall
postcolonial materiality
Rolling Pin
sensory anthropology
sensory ethnography methods
sensory experience in museum studies
sensory registers
South African Museum
Southern African Archaeology
Ta Moko
Violate
Ya Ma
Young Man

Product details

  • ISBN 9781845203245
  • Weight: 590g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Jul 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Anthropologists of the senses have long argued that cultures differ in their sensory registers. This groundbreaking volume applies this idea to material culture and the social practices that endow objects with meanings in both colonial and postcolonial relationships. It challenges the privileged position of the sense of vision in the analysis of material culture. Contributors argue that vision can only be understood in relation to the other senses. In this they present another challenge to the assumed western five-sense model, and show how our understanding of material culture in both historical and contemporary contexts might be reconfigured if we consider the role of smell, taste, touch and sound, as well as sight, in making meanings about objects.
Elizabeth Edwards is Professor and Senior Research Fellow, University of the Arts London. Chris Gosden is at The Pitt Rivers Museum Research Centre, Oxford.Ruth Phillips is at the Institute for Comparative Studies in Literature, Art and Culture, Carleton University, Canada.