Sensual Excess

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A01=Amber Jamilla Musser
abjection
aesthetics
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Amber Hawk Swanson
Audre Lorde
Author_Amber Jamilla Musser
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Carrie Mae Weems
Category1=Non-Fiction
Category=ABA
Category=AFKN
Category=AFKP
Category=JBFW
Category=JBSF1
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Cheryl Dunye
COP=United States
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diaspora
domesticity
emotionality
eq_art-fashion-photography
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eq_nobargain
eq_non-fiction
eq_society-politics
feminine jouissance
feminine misery
fetishism
filipino art
flesh
friction
hysteria
Joan Riviere
Judy Chicago
Kara Walker
kinship
Language_English
lesbian
lesbian feminism
listening
Luce Irigaray
Lyle Ashton Harris
Maureen Catbagan
Mickalene Thomas
mimesis
minoritarian
mutual vulnerability
Nao Bustamante
narcissism
Oedipal complex
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Patty Chang
perversion
photography
pornotrope
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proprioception
PS=Active
psychoanalysis
racial melancholy
racial violation
rhinestones
scalar
selfhood
sensation
sexuality
softlaunch
spirituality
strap-on
topping
violence
witnessing
womanism
woundedness
Xandra Ibarra

Product details

  • ISBN 9781479830954
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Nov 2018
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Reimagines black and brown sensuality to develop new modes of knowledge production
In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters.
To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago's The Dinner Party, Kara Walker's A Subtlety, Patty Chang's In Love and Nao Bustamante's Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.

Amber Jamilla Musser is Associate Professor of American Studies at George Washington University and the author of Sensual Excess, also published by NYU Press.

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