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Sensuous Life of Adolf Dehn
1930s
A01=Henry Adams
abstract expressionism
American Scene movement
Author_Henry Adams
biography
caricature
Casein paint
Category=AGA
Category=AGB
drawing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Grant Wood
lithographer
lithographs
midcentury composers
Midcentury Manhattan
midwestern
Minnesota
printmaking
regionalism
roaring twenties
satire
Social realism in art 1930s-1950s
Thomas Hart Benton
twentieth-century American artist
Virginia Dehn
Virginia Engleman
Wanda Gag
Water Color Painting
watercolor
Waterville
Product details
- ISBN 9780826222145
- Weight: 333g
- Dimensions: 152 x 229mm
- Publication Date: 26 Jul 2021
- Publisher: University of Missouri Press
- Publication City/Country: US
- Product Form: Hardback
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Adolf Dehn belongs to a group of distinguished midcentury American artists who were eclipsed by Abstract Expressionism and the following movements in American art. His lithographs of the Roaring Twenties introduced a note of social satire into American printmaking. He was one of the most gifted and innovative printmakers of the American Scene movement of the 1930s and one of the most significant American watercolorists.
In this wide-ranging biography, Henry Adams explores how a once central figure can come to be forgotten. Noting that Dehn's watercolor Spring in Central Park has been widely reproduced on calendars, postcards, and other Metropolitan Museum of Art souvenirs, Adams asks why it is that some artists are celebrated as key figures while others, even those who created images that form an integral part of our visual culture, are relatively unknown. With his account of the life of the prolific and influential Dehn, and a look at the circles of artists and writers in which Dehn moved, Adams helps to fill in what he calls the 'secret or subterranean history of art.'
In this wide-ranging biography, Henry Adams explores how a once central figure can come to be forgotten. Noting that Dehn's watercolor Spring in Central Park has been widely reproduced on calendars, postcards, and other Metropolitan Museum of Art souvenirs, Adams asks why it is that some artists are celebrated as key figures while others, even those who created images that form an integral part of our visual culture, are relatively unknown. With his account of the life of the prolific and influential Dehn, and a look at the circles of artists and writers in which Dehn moved, Adams helps to fill in what he calls the 'secret or subterranean history of art.'
Henry Adams is a Professor of Art History at Case Western Reserve University and author of nine books, including Thomas Hart Benton: Discoveries and Interpretations (University of Missouri Press). He lives in Cleveland Heights, Ohio.
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