Sentient Relics

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A01=Janice Baker
affect theory
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Arthouse Cinema
Author_Janice Baker
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Category1=Non-Fiction
Category=ATF
Category=GLC
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Category=WTHM
Cinematic Affect
cinematic affect in museums
Cinematic Museum
Clock Time
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Critical Museology
cultural heritage discourse
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Exhibitionary Complex
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identity politics
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Language_English
Melina Mercouri
Museum Encounter
museum studies
Oedipal Repression
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Peri Hypsous
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psychoanalytic criticism
Russian Ark
Sensory Motor Schema
Sentient Relic
softlaunch
Steven Shaviro
structuralist analysis
Sublime Object
Teddy Bear
Teddy Bear Patriarchy
Topkapi Museum
Traditional Museology
Unsettled Objects
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Product details

  • ISBN 9780367193065
  • Weight: 280g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Jan 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Sentient Relics explores museums through cinema and challenges the dominant focus of museum theory as an inclusion–exclusion debate. The author responds to the Enlightenment, ‘rational’ museum of reason contrasting this with the museum of affect and reveals these ‘two museums’ operating alongside one another in a productive paradox. In structuralist-orientated museum theory the affective realm is often subsumed within the imperatives of Marxist theory and practice, identity politics, semiology and psychoanalysis. Sentient Relics, while valuing the insights of ideologically focused meaning-making, turns to the capacity of the affective realm of experience to transform the passive subject and object relation. The author uses museum encounters and cinematic affect to engage with problems of difference, temporality, emotion and the sublime. In so doing the book advances research in museum studies by demonstrating what is at stake in pragmatically working toward a deeper understanding of the museum socially, culturally and philosophically.

Janice Baker is a lecturer in the School of Media, Culture and Creative Arts at Curtin University, Perth, Western Australia.

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