Serialization and the Novel in Mid-Victorian Magazines
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A01=Catherine Delafield
Author_Catherine Delafield
Bleak House
Cassell's Family Magazine
Cassell's Illustrated Family Paper
Cassell's Magazine
cassells
Category=DS
Category=DSB
Category=DSBF
Category=DSK
Category=KNT
Chambers's Edinburgh Journal
Core Novels
cornhill
Cornhill Magazine
Dickens's Periodicals
Educational Material
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
finch
framley
Framley Parsonage
Great Expectation
Group Authorship
household
Household Words
illustrated
John Halifax
Lady Lufton
Lord Lufton
miss
Miss Dunstable
Miss Jenkyns
Nineteenth Century Periodical
parsonage
poor
Poor Miss Finch
Prior Authorship
Road Murder
Roundabout Papers
Volume Edition
words
Young Men
Product details
- ISBN 9780367880903
- Weight: 410g
- Dimensions: 156 x 234mm
- Publication Date: 12 Dec 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book’s investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.
Catherine Delafield is an independent scholar in the UK who has formerly taught at the University of Leicester. She is the author of Women’s Diaries as Narrative in the Nineteenth Century Novel.
