Seurat and the Sea

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A01=Karen Serres
A01=Paul Smith
A01=Richard Thomson
Author_Karen Serres
Author_Paul Smith
Author_Richard Thomson
barnes collection
beach
boat
Category=AFC
Category=AGA
Category=AGB
Category=AGC
Category=AGN
coastal
cortauld collection
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
exhibition catalogue
french art
grande jatte
le havre
london
low tide
neoimpressionism
normandy
paris
plein aire
pointilism
postimpressionism
turn of the century

Product details

  • ISBN 9781913645908
  • Dimensions: 249 x 260mm
  • Publication Date: 10 Feb 2026
  • Publisher: Paul Holberton Publishing Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This catalogue charts the evolution of the radical and distinctive style of French artist Georges Seurat through the recurring motif of the sea

Seurat and the Sea is a scholarly and visually rich catalogue accompanying a landmark exhibition at The Courtauld, London, the first exhibition devoted to Seurat’s seascapes. Georges Seurat (1859–1891), known for pioneering the Neo-Impressionist technique of using small dots of pure colour, developed a luminous and atmospheric style that evolved notably through his repeated engagement with maritime themes.

The book brings together paintings, oil sketches, and drawings produced during five summers spent on France’s northern coast between 1885 and 1890, in towns such as Honfleur, Port-en-Bessin, and Gravelines. These works, featuring seascapes, regattas, and harbour scenes, contrast with Seurat’s better-known Parisian imagery and reflect his desire to escape studio confines and depict the clarity of natural light.

The catalogue highlights how these works deepened Seurat’s exploration of colour and form and played a vital role in expanding his influence. Drawn from global collections, the works reaffirm Seurat’s lasting artistic significance.

Exhibition Schedule:

The Courtauld Gallery, London
(13 February–17 May 2026)

Published by Paul Holberton Publishing/Distributed by Yale University Press

Dr Karen Serres is Senior Curator of Paintings, The Courtauld Gallery, London. Professor Richard Thomson is Research Professor in the History of Art, Edinburgh College of Art, University of Edinburgh. Professor Paul Smith is Professorial Research Fellow in the History of Art, The University of Warwick

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