Sex and Style

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A01=Elizabeth Scott-Baumann
Aesthetic
Anne
Argues
Author_Elizabeth Scott-Baumann
Behn
Burnet
Category=DSBD
Category=DSC
Category=JBSF1
Cavendish
Century
Claims
Classical
Complaint
Couplet
Cowley
Criticism
Critics
Daniel
Disorder
Divine
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feminine
Gender
Harington
History
Hutchinson
Irregular
Irregularity
Jonson
Lines
Loose
Lucretius
Lucy
Margaret
Masculine
Metaphors
Milton
Misogynistic
Modern
Nature
Ode
Originality
Ovid
Philips
Poem
Poetic
Poetry
Poets
Praise
Prosody
Pulter
Regularity
Reveals
Rhyme
Sappho
Seventeenth
Sex
Shakespeare
Sidney
Smooth
Smoothness
Soft
Softness
Sound
Southwell
Style
Tender
Thy
Translation
Verse
Waller
Wharton
Writers
Wroth

Product details

  • ISBN 9780691272023
  • Dimensions: 156 x 235mm
  • Publication Date: 30 Sep 2025
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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A new literary history that places women writers at the center of poetic theory and practice in English literature of the sixteenth and seventeenth centuries

Many of the terms we use today to describe poetic style originated in the early modern period: original ideas, feminine rhyme, irregular rhythm, smooth verse. These terms were often wielded in negative and gendered ways—to write soft or irregular verses was said to be a feminine fault, and to write strong or original ones a masculine virtue. In Sex and Style, Elizabeth Scott-Baumann argues that the language of poetry was always gendered, in ways that devalued women poets and feminine style; and that women, writing despite—and against—this sexist rhetoric, were important theorists of literature. Scott-Baumann documents and analyzes texts by women literary theorists, including Anne Southwell, Lucy Hutchinson, Katherine Philips, Margaret Cavendish, and Aphra Behn, and puts their writings into dialogue with such well-known early modern poets and theorists of poetry as Philip Sidney, Ben Jonson, Abraham Cowley, and John Milton.

Scott-Baumann situates these women in the vanguard of the poetics of this period. Women who wrote theory and criticism—the forms that tell readers which writers to read and value—were among the leading voices defining poetic style and the place of poetry in society. Examining a wealth of critical writings by women, many of them newly found in prefaces and other paratextual works, Scott-Baumann shows that the history of style is also a history of exclusion and inclusion.

Elizabeth Scott-Baumann is reader in early modern literature at King’s College London. She is the author of Forms of Engagement: Women, Poetry, and Culture 1640–1680 and the coeditor of The Oxford Handbook of Early Modern Women’s Writing in English, 1540–1700.

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