Sex Pistols on Screen

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A01=Stephen Glynn
academic study of punk documentaries
Author_Stephen Glynn
band biopic
Bill Grundy
British cultural studies
Category=AVP
Category=JBCC1
Category=JBCT
Category=NH
documentary film critique
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Music documentaries
music industry commodification
Pistol
Punk
punk subculture history
reputation
Sid and Nancy
television media impact
The Filth and the Fury
The Great Rock 'n' Roll Swindle
The Sex Pistols
visual media analysis

Product details

  • ISBN 9781032964164
  • Weight: 420g
  • Dimensions: 138 x 216mm
  • Publication Date: 26 Mar 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This unique book demonstrates the central importance of visual media to the significance of British Punk rock pioneers the Sex Pistols, beginning with their nation-shocking television interview with Bill Grundy in December 1976.

Supported by an examination of surrounding documentary and fictional texts, The Sex Pistols on Screen centres on four key film and television/streaming depictions with and about the four-man group across four decades, namely The Great Rock ’n’ Roll Swindle (Temple, 1980), Sid and Nancy (Cox, 1986), The Filth and the Fury (Temple, 2000), and Pistol (Boyle, 2022). Though promising an oppositional stance, these works consistently demonstrate how the mainstream media disarm and commodify any genuine sense of mid-1970s anarchy. In addition, their differing personal perspectives exemplify the subjectivity and self-interested advocacy of all historical interpretation. Nonetheless, they still provide a sense of the empowering hit delivered by the Sex Pistols’ pugnacious music and galvanic live performances.

Accessible yet academically rigorous, The Sex Pistols on Screen is a significant study of the visual media’s importance in forging, reworking and reviving both the history and reputation of this seminal band. It will appeal both to the general reader and students of film, television, media and cultural and popular music studies.

Stephen Glynn is a film writer and lecturer, currently based at De Montfort University, UK. His previous writings on the links between music performers and the visual media include Kate Bush and the Moving Image (2025), David Bowie and Film (2022), The Beatles and Film (2021) and The British Pop Music Film (2013).

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