Sexual Subject

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Classic Realist Text
Da Game
difference
duel
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Essential Duplicity
female
Female Spectatorship
Feminine Spectatorship
Feminist Film Culture
Feminist Film Practice
Feminist Film Theory
feminist film theory debates
Fetishistic Scopophilia
Film Melodrama
film theory
Gainsborough Melodrama
gender representation
Gendered Spectatorship
Imaginary Unity
laura
mainstream
mulvey
Mulvey Article
Pam Cook
Pop Stars
psychoanalytic criticism
reader
screen
Screen Spectator Relationship
semiotic analysis
Social Audience
spectator
Spectator Text Relations
sun
Text Reader Relationship
Vaginal Imagery
Vice Versa
visual pleasure
Woman's Picture
Woman’s Picture
Women's Cultural Forms
Women’s Cultural Forms
Young Man

Product details

  • ISBN 9780415074674
  • Weight: 535g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Oct 1992
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Sexual Subject brings together writing on sexuality which has appeared in ^Screen> over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has had a profound influence on the development of the academic study of film and on alternative film and video practice.
The collection opens with Laura Mulvey's classic "Visual Pleasure and Narrative Cinema" with its conjunction of semiotics and psychoanalysis, the critical approach which is most closely associated with Screen's rise to international prominence. The reader then goes on to explore the particular questions and debates which that conjuction provoked: arguments around pornography and the represenation of the body: questions of the representation of femininity and masculinity, of the female spectator, and of the social subject.
Many of the writings in this Reader have become indispensable texts within the study of film. The purpose of the Reader is not only to make the articles available to a wider readership, and to a new generation, but also to pose new conjunctions, making connections in one volume between debates and inquiries which spanned two crucial decades of film theory.
The Sexual Subject is intended not only for all those with a particular interest in film and film theory, but for anyone with a serious commitment to cultural theory, theories of representation, and questions of sexuality and gender.