Shakespeare

Regular price €25.99
A01=Harold Bloom
analysis
Author_Harold Bloom
British
Category=DSBD
Category=DSG
character
characters
classic
contribution
critical
cultural
dramatic
Elizabethan
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
era
Falstaff
genius
Hamlet
impact
influence
interpretation
Juliet
King
Lear
literature
masterpieces
nature
personality
plays
Rosalind
scholarly
theatrical
theory
understanding
work
works

Product details

  • ISBN 9780007292844
  • Weight: 860g
  • Dimensions: 153 x 234mm
  • Publication Date: 01 Jul 2008
  • Publisher: HarperCollins Publishers
  • Publication City/Country: GB
  • Product Form: Paperback
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Harold Bloom, the doyen of American literary critics and author of The Western Canon, has spent a professional lifetime reading, writing about and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare’s genius in a radical and provocative re-reading of the plays.

How to understand Shakespeare, whose ability so far exceeds his predecessors and successors, whose genius has defied generations of critics’ explanations, whose work is of greater influence in the modern age even than the Bible? This book is a visionary summation of Harold Bloom’s reading of Shakespeare and in it he expounds a brilliant and far-reaching critical theory: that Shakespeare was, through his dramatic characters, the inventor of human personality as we have come to understand it. In short, Shakespeare invented our understanding of ourselves. He knows us better than we do: ‘The plays remain the outward limit of human achievement: aesthetically, cognitively, in certain ways morally, even spiritually. They abide beyond the end of the mind’s reach; we cannot catch up to them. Shakespeare will go on explaining us in part because he invented us… ’ In a chronological survey of each of the plays, Bloom explores the supra-human personalities of Shakespeare’s great protagonists: Hamlet, Lear, Falstaff, Rosalind, Juliet. They represent the apogee of Shakespeare’s art, that art which is Britain’s most powerful and dominant cultural contribution to the world, here vividly recovered by an inspired and wise scholar at the height of his powers.

Described in the New York Times as ‘ a colossus among critics … [with] an encyclopedic intellect, exuberant eccentricity, a massive love of literature. The legend of his genius spans four decades’, Harold Bloom was born to a Yiddish-speaking family and learnt to speak English by reading the works of William Blake. He studied at Cornell, Pembroke College Cambridge and Yale, and is Professor of Humanities at Yale and Professor of English at New York Universities, a regular contributor to literary journals and the recipient of many prizes and awards.