Shakespeare and Accentism

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accent bias in literary performance
Accentism
accents
actor
actors
actress
Alexander Gill
aragota
Asian Accents
Audio Performances
Black South African Actor
Brown Voice
cadence
Category=DDA
Category=DS
Category=DSB
class
classical
colonization
Colorblind Casting
Creole
culture
drama
drama studies
Early Modern Literature
East Asian Actors
Eme
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Ernesto Rossi
ESL characters
ESL Speaker
ethnolect analysis
foreign
gender
grammar
Green Eyed Monster
Henry IV
Henry V
Henry VI
heritage
Indian Accent
interpretation
John Geilud
John Hart
Kabuki
kotei
Kyogen
language discrimination
Late Apartheid South Africa
Linguistics
Medieval English King
multilingual theater
National Theater
nationality
Noh
Non-traditional Casting
Oregon Shakespeare Festival
Paul Robeson
performance studies
phonetics
poetic
pronounciation
race
racialized speech
religion
Renaissance
Renaissance Literature
Richard III
Robert Armin
Royal Shakespeare Neighborhood
RP Accent
Shakespeare in original pronunciation
Social hierarchies
sociolinguistics
Sonic Color Lines
spoken English
stage
Standard American Accents
UK Radio
Verse
Verse Line
Voice Style
Welsh Lines
William Bullokar
Yoshi Oida
Young Man

Product details

  • ISBN 9780367676735
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This collection explores the consequences of accentism—an under-researched issue that intersects with racism and classism—in the Shakespeare industry across languages and cultures, past and present. It adopts a transmedia and transhistorical approach to a subject that has been dominated by the study of "Original Pronunciation." Yet the OP project avoids linguistically "foreign" characters such as Othello because of the additional complications their "aberrant" speech poses to the reconstruction process. It also evades discussion of contemporary, global practices and, underpinning the enterprise, is the search for an aural "purity" that arguably never existed. By contrast, this collection attends to foreign speech patterns in both the early modern and post-modern periods, including Indian, East Asian, and South African, and explores how accents operate as "metasigns" reinforcing ethno-racial stereotypes and social hierarchies. It embraces new methodologies, which includes reorienting attention away from the visual and onto the aural dimensions of performance.

Adele Lee is Associate Professor of early modern literature at Emerson College, USA. She specializes in Renaissance travel writing and "global Shakespeare" and is the author of The English Renaissance and the Far East: Cross-Cultural Encounters (2017).