Shakespeare and Comics

Regular price €97.99
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A Groatsworth of Wit
adaptation studies
Age Group_Uncategorized
Age Group_Uncategorized
Alan Moore
automatic-update
B01=Dr Brandon Christopher
B01=Dr Jim Casey
B09=Professor Mark Thornton Burnett
Category1=Fiction
Category1=Non-Fiction
Category=AN
Category=ATD
Category=ATMP
Category=DSBC
Category=DSBH
Category=DSBJ
Category=DSG
Category=DSGS
Category=FZG
Category=XQB
Category=XR
Classics Illustrated
COP=United Kingdom
DC
Delivery_Pre-order
Doom 2099
EC Comics
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_graphic-novels-manga
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Good Tickle Brain
I Am Alfonso Jones
Language_English
Macbeth
Marvel
Marvel 1602
Neil Gaiman
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
Shakespeare adaptations
Shakespeare graphic novels
Shakespeare in Harlem
Shakespeare manga
softlaunch
Tebeo
The League of Extraordinary Gentlemen
The Sandman
The Shakespeare Code
The Tempest
Y: The Last Man

Product details

  • ISBN 9781350401341
  • Weight: 460g
  • Dimensions: 138 x 220mm
  • Publication Date: 19 Sep 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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From their inception, ‘low culture’ comics have intersected with the ‘high culture’ of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision.

Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess’s 'A Midsummer Night’s Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth, among many others.

As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions. Shakespeare and Comics argues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called ‘great works’ exist alongside and in equal conversation with marginalized writers, topics and forms.

Jim Casey is an independent scholar based in the USA.

Brandon Christopher is Associate Professor in the Department of English at the University of Winnipeg, Canada.