Shakespeare and Cultural Appropriation

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Adaptation Studies
adaptation theory
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Category=ATD
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Confer
critical approaches to Shakespearean adaptation
Cultural Appropriation
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global literary reception
Holds
identity politics in drama
Juliet's Nurse
Juliet’s Nurse
Lope De Vega
performance studies
postcolonial theatre
power dynamics in literature
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Richard III
Rude Boy
SBT
Shakespeare Adaptations
Shakespeare Studies
Shakespeare's Cultural Capital
Shakespeare's King Lear
Shakespeare's Legacy
Shakespeare's Universality
Shakespearean Appropriations
Shakespearean Cultural Authority
Shakespeare’s Cultural Capital
Shakespeare’s King Lear
Shakespeare’s Legacy
Shakespeare’s Universality
Superimposed
Timeless
Tv Adaptation
Violating
Wo

Product details

  • ISBN 9781032303086
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide tools for thinking about appropriation and cultural appropriation as spectrums constantly evolving and renegotiating between the poles of exploitation and appreciation.

This collection argues that the concept of cultural appropriation is one of the most undertheorized yet evocative frameworks for Shakespeare appropriation studies to address the relationships between power, users, and uses of Shakespeare. By robustly theorizing cultural appropriation, this collection offers a foundation for interrogating not just the line between exploitation and appreciation, but also how distinct values, biases, and inequities determine where that line lies. Ultimately, this collection broadly employs cultural appropriation to rethink how Shakespeare studies can redirect attention back to power structures, cultural ownership and identity, and Shakespeare’s imbrication within those networks of power and influence. Throughout the contributions in this collection, which explore twentieth and twenty-first century global appropriations of Shakespeare across modes and genres, the collection uncovers how a deeper exploration of cultural appropriation can reorient the inquiries of Shakespeare adaptation and appropriation studies.

This collection will be of great interest to students and scholars in theatre and performance studies, Shakespeare studies, and adaption studies.

Vanessa I. Corredera is Chair of and Associate Professor in the Department of English at Andrews University, USA.

L. Monique Pittman is Professor of English and Director of the J. N. Andrews Honors Program at Andrews University, USA.

Geoffrey Way is the Manager of Publishing Futures for the Arizona Center for Medieval and Renaissance Studies at Arizona State University, USA.