Shakespeare and (Eco-)Performance History

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A01=Elizabeth Schafer
Author_Elizabeth Schafer
Category=AB
Category=AFKP
Category=ATD
Category=DDA
Category=DSB
Category=GTM
Category=JBSF
early modern theatre
ecofeminist theatre studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
forest dramaturgy
gender representation
global performance adaptation
Performance
physical comedy analysis
Shakespeare
sustainable stagecraft
Theatre
Windsor Wives

Product details

  • ISBN 9780367494162
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Sep 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Seismic shifts in the theatrical meanings of The Merry Wives of Windsor have taken place across the centuries as Shakespeare’s frequently performed play has relocated to Windsor across the world, journeying along the production/adaptation/appropriation continuum.

This (eco-)performance history of Shakespeare’s The Merry Wives of Windsor not only offers the first in-depth analysis of the play in production, with a particular focus on the representation of merry women, but also utilises the comedy’s forest-aware dramaturgy to explore Mistress Page’s concept of being ‘frugal in my mirth’ in relation to sustainable theatre practices. Herne’s Oak – the fictitious tree in Windsor Forest where everyone meets in the final scene of the play – is utilised to enable a maverick but ecologically based reframing of the productions of Merry Wives analysed here.

This study engages with gender, physical comedy, and cultural relocations of Windsor across the world to offer new insight into Merry Wives and its theatricality.

Elizabeth Schafer is Professor of Drama and Theatre Studies at Royal Holloway, University of London.

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