Shakespeare and Feminist Performance

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A01=Sarah Werner
actor training methods
Actor's Individual Experience
Actor’s Individual Experience
Author_Sarah Werner
Bianca's Wedding
Branagh's Film
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Category=ATD
Category=ATDS
Category=DDA
Category=DSBD
Category=DSG
Category=JBSF
Category=JBSF11
company
company politics in drama
dionisotti
Drawn Back
edwards
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feminist theatre analysis
fiona
Frame Characters
gale
gender politics in Shakespeare performance
gender representation
genista
Katherine's Speech
paola
Paola Dionisotti
performance studies
Peter Holland
royal
Royal Shakespeare Company
RSC Actor
RSC Production
Shakespeare's Female Characters
Shakespeare's Meaning
Shakespeare's Script
Shakespeare's Shrew
Shakespeare’s Female Characters
shaw
Stevenson's Reading
Stevenson’s Reading
Submission Speech
theatre
theatre ideology
Thomas Kent
Voice Coach
Voice Work
Wherefore Art Thou Romeo
Women's Theatre Group
Women's Theatre Work
Women’s Theatre Work
York Times Bestseller List
Young Man

Product details

  • ISBN 9780415227308
  • Weight: 270g
  • Dimensions: 138 x 216mm
  • Publication Date: 12 Jul 2001
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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How do performances of Shakespeare change the meanings of the plays?
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest.
Werner concentrates particularly on:
The influential training methods of Cicely Berry and Patsy Rodenburg
The history of the RSC Women's Group
Gale Edwards' production of The Taming of the Shrew
She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions.
By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

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