Shakespeare and Game of Thrones

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A01=Jeffrey R. Wilson
Author_Jeffrey R. Wilson
Bloody Hand
Category=DDA
Category=DS
Category=DSB
Category=DSBB
Category=DSBH
collaborative authorship research
De Casibus
Eddard Stark
Edward III
Edward IV
English families
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
feminist literary criticism
Game of Thrones
HBO Show
HBO Version
Henry III
historical narrative analysis
Historical Source Material
Hollow Crown
Jon Snow
Jon's Mother
Jon’s Mother
literary adaptation theory
Main Characters
Martin's Characters
Martin’s Characters
metatheatrical techniques
Narrative Relief
Nested Plots
Renaissance drama studies
Richard III
Sean Bean
Shakespeare influence on fantasy fiction
Shakespeare scholars
Shakespeare's Richard III
Shakespearean Adaptation
Shakespeare’s Richard III
Tudor Myth
Tyrion Lannister
Vice Versa
White Walker
Young Man

Product details

  • ISBN 9780367483920
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones.

On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare’s first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition—such as collaborative authorship and political currents—this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century.

An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance literature in the context of modern media.

Jeffrey R. Wilson is a faculty member in the Writing Program at Harvard University, USA, where he teaches the Why Shakespeare? section of the university’s first-year writing course. Focused on intersections of Renaissance literature and modern sociology, his work has appeared in the academic journals Modern Language Quarterly, Genre, and College Literature, and public venues like National Public Radio, Salon, and MLA’s Profession.

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