Ability Counts
allegorical interpretation
america
association
audience response studies
audiences
Bat Wings
Bowie 1997a
Category=ATD
Category=DDA
Category=DSA
Category=DSBD
Category=DSG
Category=JBCC
Christian Allegory
Clinical Title
cultural theory
Drawn Back
Duke Vincentio
early
Early Modern
early modern drama scholarship
Early Modern England
Early Modern English
English Renaissance
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
gender and politics
grazia
Hawkes 1996b
Hermione's Restoration
Hermione’s Restoration
Jew Shylock
Lisa Freinkel
literary periodisation
Mistress Overdone
Modern anti-Semitism
Modern Subjectivity
Pest Control Service
reception history
Renaissance Scepticism
SAA
shakespeares
Speech Prefix
Starship Troopers
tale
texts
Trivial Fond Records
Vice Versa
winters
Product details
- ISBN 9780415212007
- Weight: 385g
- Dimensions: 138 x 216mm
- Publication Date: 10 Aug 2000
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This in-depth collection of essays traces the changing reception of Shakespeare over the past four hundred years, during which time Shakespeare has variously been seen as the last great exponent of pre-modern Western culture, a crucial inaugurator of modernity, and a prophet of postmodernity. This fresh look at Shakespeare's plays is an important contribution to the revival of the idea of 'modernity' and how we periodise ourselves, and Shakespeare, at the beginning of a new millennium.
Hugh Grady is Professor of English at Beaver College, Pennsylvania, USA. He is the author of The Modernist Shakespeare (1991) and Shakespeare's Universal Wolf (1996).
