Shakespeare and Social Theory

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A01=Bradd Shore
Act III
ambiguity
analogy
Anamorphic Painting
anamorphosis
anthropological analysis
arbitrariness
astrology
astronomy
Author_Bradd Shore
Category=DSBD
Category=DSG
Category=JHBA
Category=JHMC
cognitive approaches
Conceptual Blend
conceptual blends
Copernicus
Cratylus
Declarative Mood
Dense
Discordia Concors
dislocation
double-vision
Dumont
Durkheim
emptiness
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exchange
experience
explorative theater
Follow
Friendship
Grammar School Curriculum
grand theory
Hamlet
heliocentrism
hero
homosexual love
irony
jealousy
Jean De Dinteville
Judicial Astrology
Julius Caesar
King Lear
language
Lear's World
Lear’s World
love
magical thinking
marriage
meaning
metaphor
Metaphoric Cognition
Midsummer Night's Dream
Midsummer Night’s Dream
names
Odd
optics
paradox
Performance
performance theory
Persona
perspective
poetry
rehearsal
reproduction
ritual
ritual in drama
Romeo and Juliet
semiotic analysis
Shakespeare
Shakespeare's Day
Shakespeare's Plays
Shakespeare’s Day
Shakespeare’s Plays
Social theory
social theory in literary studies
structuralist interpretation
suicide
theater
theatre
theory
Thomas Kyd
undoing
Unforgettable
Wherefore Art Thou Romeo
wholeness
Winter's Tale
Winter’s Tale
Young Man

Product details

  • ISBN 9781032017174
  • Weight: 530g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book provides a bridge between Shakespeare studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a “great thinker” and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare’s plays and the lives we now lead.

Close readings of a selection of frequently studied plays—Hamlet, The Winter’s Tale, Romeo and Juliet, A Midsummer Night’s Dream, Julius Caesar, and King Lear—engage with the texts in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions, and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory, and structuralism. The book concludes with a consideration of how “the new astronomy” of his day and developments in optics changed the very idea of “perspective,” and shaped Shakespeare’s approach to embedding social theory in his dramatic texts.

This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.

Bradd Shore is Goodrich C. White Professor Emeritus of Anthropology at Emory University, USA. A psychological and cognitive anthropologist, he has authored some 65 scholarly papers and three books.

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