Shakespeare and the Evolution of the Human Umwelt

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A01=Timothy Day
actor network theory
Author_Timothy Day
biosemiotics
Book III
Category=DSG
Child Life Specialist
Children's Memorial Hospital
Children’s Memorial Hospital
Chopin
Cultural DNA
DNA Code
DNA Form
Earthly System
ecocritical analysis
ecocriticism
environmental humanities
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evolutionary narrative interpretation
Human Umwelt
Las Ventas
Le Sueur
literary evolution
Los Jardines
Madd Addam
Meridel Le Sueur
Midsummer Night's Dream
Midsummer Night’s Dream
narrative embodiment
National Academy
National Library
Nature Culture Divide
Pagan Spain
Richard III
Richard Powers
Shakespeare's plays
Symptomatic Network
Umwelt Theory
Vice Versa
Young Men

Product details

  • ISBN 9780367707903
  • Weight: 268g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Shakespeare and the Evolution of the Human Umwelt brings together research on Shakespeare, biosemiotics, ecocriticism, epigenetics and actor network theory as it explores the space between nature and narrative in an effort to understand how human bodies are stories told in the emergent language of evolution, and how those bodies became storytellers themselves.

Chapters consider Shakespeare’s plays and contemporary works, such as those of Barbara Kingsolver and Margaret Atwood, or productions for which Shakespeare is a genetic forebear, as evolutionary artefacts which have helped to shape the human umwelt—the species-specific linguistic habitat that humans share in common. The work investigates the juncture where semisphere meets biosphere and illuminates the role that narrative plays in our construction of the world we occupy. The plays of Shakespeare, as works that have had unparalleled cultural diffusion, are uniquely situated to speak to the ways in which ideas and the texts they use as vehicles are always material, always environmental, and always alive. The book discusses Shakespeare’s works as vital nodes in our cultural, historical, moral and philosophical networks, but also as environmental actors in and of themselves. Plays are presented alternately as digitally encoded bits of culture awaiting their connection to an analog world, or as bacteria interacting with living organisms in both productive and destructive ways, altering their structure and creating new meaning through movement that is simultaneously biological and poetic.

This book will be of great interest to students and scholars of ecocriticism looking to model ecocritical readings and bridge gaps between scientific, philosophical and literary thinking.

Timothy Ryan Day teaches Shakespeare, Ecocriticism, and Writing at Saint Louis University's Madrid campus. He was born in Oklahoma, grew up in Chicago, and lives in Spain.

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