Shakespeare as Jukebox Musical

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A01=John R. Severn
adaptation theory analysis
Age Group_Uncategorized
Age Group_Uncategorized
audience
Author_John R. Severn
automatic-update
ballad
ballad opera history
Ballad Operas
Bessy Bell
Category1=Non-Fiction
Category=AN
Category=ATD
Category=AVGM
Category=AVLM
Category=DSG
Category=DSGS
characters
collaborative audience reception
Contemporary Society
COP=United Kingdom
Cotton Club
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fellow Audience Members
Film Musical
identity politics performance
Interrogative Text
Jukebox Musical
La La
La La La
Language_English
Love's Labour's Lost
Love’s Labour’s Lost
members
Midsummer Night's Dream
Midsummer Night’s Dream
musical theatre adaptation
night
Nineteenth Century Burlesque
onstage
Onstage Characters
operas
PA=Available
plays
popular music dramaturgy
Price_€100 and above
PS=Active
Queensland Theatre Company
Richard Briers
Saturday Night Fever Soundtrack
Shakespeare's Cultural Authority
Shakespeare's Love's Labour
Shakespearean Burlesques
Shakespearean popular music adaptation studies
shakespeares
Shakespeare’s Cultural Authority
Shakespeare’s Love’s Labour
Sock Puppets
softlaunch
Sullivan's Comic Operas
Sullivan’s Comic Operas
Teddy Bear
twelfth
Twelfth Night
Young Men

Product details

  • ISBN 9781138586253
  • Weight: 492g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Sep 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare’s plays in which characters sing existing popular songs as one of their modes of communication. John Severn shows how these highly allusive works give rise to the pleasures of collaborative reception, and also lend themselves to political work, particularly in terms of identity politics and a valorisation of diversity. Drawing on musical theatre history, adaptation theory, Shakespeare studies and musicology, the book develops a critical approach that allows jukebox-musical versions of Shakespeare to be understood and valued both for their political potential and for the experiences they offer to audiences as artistic responses to Shakespeare. Case studies from the USA, the UK and Australia demonstrate how these works open new windows on Shakespeare’s plays and their performance traditions, on the wider jukebox musical trend, and on adaptation as an art form.

John R. Severn is a Macquarie University Research Fellow at Macquarie University, Sydney. His research focuses on theatre, opera, musical theatre, adaptation and community, with a particular interest in the ways that musical and operatic adaptations of Shakespeare and other playwrights for the spoken stage have been used to create and maintain various forms of local, national and international community, both in the past and today.

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