Shakespeare, Authority, Sexuality

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A01=Alan Sinfield
Act III
Affectionate Shepherd
Arac
Author_Alan Sinfield
Category=DDA
Category=DSA
Category=DSB
Category=DSBD
Category=DSG
cross-gender
Cross-gender Relations
dissident sexuality studies
Duke Senior
early modern literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Erotic Role
Familiar Distractions
Gay Man
gender performativity
Honest Man's Fortune
Honest Man’s Fortune
Jonathan Arac
Jonson's Epicene
Jonson’s Epicene
kinsmen
Latest Venture
literary historiography
macherey
Man About Town
Midsummer Night's Dream
Midsummer Night’s Dream
Neurological Determinism
night
noble
Noble Kinsmen
Page Boys
Passionate Shepherd
pierre
political readings of Renaissance drama
queer theory analysis
Renato Poggioli
Sexual Dissident
Sexual Object Choice
shakespeare's
sonnets
Spiritual Shakespeares
state power dynamics
twelfth
Twelfth Night
two
West Yorkshire Playhouse
Young Man

Product details

  • ISBN 9780415402361
  • Weight: 440g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Jun 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Shakespeare, Authority, Sexuality is a powerful reassessment of cultural materialism as a way of understanding textuality, history and culture, by one of the founding figures of this critical movement. Alan Sinfield examines cultural materialism both as a body of ongoing argument and as it informs particular works by Shakespeare and his contemporaries, especially in relation to sexuality in early-modern England and queer theory.

The book has several interlocking preoccupations:

  • theories of textuality and reading
  • the political location of Shakespearean plays and the organisation of literary culture today
  • the operation of state power in the early-modern period and the scope for dissidence
  • the sex/gender system in that period and the application of queer theory in history.

These preoccupations are explored in and around a range of works by Shakespeare and his contemporaries. Throughout the book Sinfield re-presents cultural materialism, framing it not as a set of propositions, as has often been done, but as a cluster of unresolved problems. His brilliant, lucid and committed readings demonstrate that the ‘unfinished business’ of cultural materialism - and Sinfield’s work in particular - will long continue to produce new questions and challenges for the fields of Shakespeare and Renaissance Studies.

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