Shakespeare in the ‘Post’Colonies

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A Midsummer Night's Dream
A Midsummer Night’s Dream
adaptations
appropriations
Australian Indigenous Performance
Bahujan
caste
Category=ATD
Category=DSG
Category=JPVH
cinematic adaptations
class
classroom strategies
colonial
Dalit
eq_art-fashion-photography
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
indigenous rights
inequities
Japan
Latin American identity
marginalised identities
migrant
Othello
Philippine schools
politics
race
The Tempest
theatrical performances
Titus Andronicus
Toni Morrison's Desdemona
Toni Morrison’s Desdemona
translations

Product details

  • ISBN 9781350344143
  • Weight: 480g
  • Dimensions: 142 x 218mm
  • Publication Date: 26 Jun 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Shakespeare in the 'Post'Colonies provides a wide-ranging examination of engagements with and adaptations of Shakespeare in regions that were once under European colonial rule. Arguing for the 'Post'Colonies as a distinct category within Global Shakespeares, this volume explores the reality of 21st-century Shakespeares in geographies of post-colonial and postcolonial inheritance, such as continental Africa, Australasia, the Arab world, the Indian subcontinent, East Asia and the Americas. As former colonies in Asia and Africa cross fifty and even seventy years of political independence, contributors re-examine the presence of Shakespeare in marginalised or politically disenfranchised communities, interrogating how Shakespeare intersects with the internal and global power dynamics of post-independence nations.

The essays cover a rich array of genres ranging from theatrical performances, translations, and cinematic adaptations to classroom strategies. They turn to texts that have often gone ignored and give voice to Shakespeare appropriations by subaltern groups. Essays address questions of race, gender, nationality, indigeneity, caste and class, shedding new light on the diverse range of contemporary Shakespeare engagements across the global ‘Post’Colonies.

Amrita Dhar is Assistant Professor of English at Ohio State University, USA.

Amrita Sen is Associate Professor and Deputy Director of UGC-HRDC, University of Calcutta, India. She has co-edited Civic Performance: Pageantry and Entertainments in Early Modern London (2020), and a special issue of the Journal for Early Modern Cultural Studies on 'Alternative Histories of the East India Company' (2017).