Shakespeare in the Theatre Kathryn Hunter

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A Midsummer Night's Dream
A Tender Thing
A01=Stephen Purcell
acting
and Happy Days
Antony and Cleopatra
Author_Stephen Purcell
Category=ATC
Complicite
early modern drama
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Fragments
interviews
Kafka's Monkey
King Lear
myth
Olivier award
Out of a House Walked a Man
performance studies
Pericles
physical transformation
playfulness
Richard III
ritual
Royal Shakespeare Company
Shakespeare
Shakespeare's Globe
Stanislavskian naturalism
The Emperor
The Skriker
The Visit
Timon of Athens
Zoom

Product details

  • ISBN 9781350339347
  • Dimensions: 129 x 198mm
  • Publication Date: 12 Nov 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Kathryn Hunter is one of the most distinctive performers on the modern stage. Her shapeshifting abilities have seen her play Shakespearean roles as diverse as King Lear, Richard III, Katharina, Cleopatra, Puck, and Timon of Athens. Her role as the witches in Joel Coen’s The Tragedy of Macbeth introduced her distinctive approach to Shakespeare to a wider audience, winning her the 2021 New York Film Critics Circle Award for Best Supporting Actress. She is also an accomplished Shakespearean director, having directed productions for theatres including Shakespeare’s Globe and the Royal Shakespeare Company. This study situates her Shakespearean work within the context of her wider career, including her Olivier award-winning work with Complicite and her frequent collaborations with Peter Brook. It is based on a series of nine interviews with Hunter that were conducted over Zoom during the 2020 lockdown, and draws upon archival material from Shakespeare’s Globe, the RSC and elsewhere.

Stephen Purcell is Associate Professor of English at the University of Warwick, UK. His research focuses on the performance of the work of Shakespeare and his contemporaries on the modern stage and screen, and his publications include Popular Shakespeare (2009), Shakespeare and Audience in Practice (2013), and Shakespeare in the Theatre: Mark Rylance at the Globe (2017). He directs for the open-air theatre company The Pantaloons.

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