Shakespeare in the Theatre: Reduced Shakespeare Company

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A01=Ronan Hatfull
abridgement
Author_Ronan Hatfull
Category=ATD
direction
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hamlet
othello
performance
radio
reduced shakespeare company
romeo and juliet
rsc
shakespeare adaptation
shakespeare performance studies
theatre
theatre history
troupe
twentieth century drama
twenty-first century drama

Product details

  • ISBN 9781350457614
  • Weight: 460g
  • Dimensions: 142 x 218mm
  • Publication Date: 19 Feb 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe’s four major Shakespearean works over the past four decades.

The Reduced Shakespeare Company represent an American tale of how a small-scale, open-air troupe specialising in fast-paced, irreverent reductions of prominent topics have, since their formation in 1981, gradually expanded into a global theatre brand whose first play, The Complete Works of William Shakespeare (abridged), ran continuously for nine years in London’s West End and has been translated into thirty-eight languages.

Drawing on previously unexamined archival material, as well as author interviews with the company’s five key players and attendance at rehearsals and performances in America and Britain, this book stands as the first dedicated study of this other RSC, presenting a critical analysis of the company’s signature blend of audience interaction, metatheatre, parody, pop culture references, Shakespearean intertextuality and vaudevillian humour.

Each chapter is arranged to address a specific period within the RSC’s history of Shakespearean adaptation, offering a detailed exposition of their four major Shakespearean works over the past four decades. The book’s epilogue considers their influence and legacy, submits a blueprint for reduction and contextualises the company within the ecosystem of contemporary performance.

Ronan Hatfull is Teaching Fellow in Theatre and Performance at the University of Warwick and a Lecturer in Shakespeare at NYU London, UK. He teaches Shakespearean adaptation, Greek tragedy and contemporary performance practices. He co-edited Shakespeare and Biofiction on the Contemporary Stage and Screen (The Arden Shakespeare, 2023) and has published widely on the playwright’s cultural legacy. He is also an actor, director, dramaturg and musician.

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