Shakespeare in the Theatre: Yukio Ninagawa

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A01=Conor Hanratty
Author_Conor Hanratty
B09=Bridget Escolme
B09=Dr. Farah Karim Cooper
B09=Peter Holland
Category1=Non-Fiction
Category=ATC
Category=ATD
Category=ATDF
Category=DSBD
Category=DSG
Category=NL-AN
Category=NL-DS
COP=United Kingdom
Discount=15%
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
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Format=BB
HMM=198
IMPN=The Arden Shakespeare
ISBN13=9781350087354
Language_English
PA=Available
PD=20200305
POP=London
Price_€50 to €100
PS=Active
PUB=Bloomsbury Publishing PLC
SN=Shakespeare in the Theatre
Subject=Literature: History & Criticism
Subject=Theatre Studies
WG=340
WMM=129

Product details

  • ISBN 9781350087354
  • Weight: 372g
  • Dimensions: 129 x 198mm
  • Publication Date: 05 Mar 2020
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: London, GB
  • Product Form: Hardback
  • Language: English
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Yukio Ninagawa (1935–2016) was Japan's foremost director of Shakespeare whose productions were acclaimed around the world. His work was lauded for its spectacular imagery, its inventive use of Japanese iconography and its striking fusion of Eastern and Western theatre traditions.

Over a career spanning six decades, Ninagawa directed 31 of Shakespeare's plays, many of them, including Hamlet, on multiple occasions. His productions of Macbeth, The Tempest, Pericles, Twelfth Night and Cymbeline became seminal events in world Shakespeare production during the last 30 years.

This is the first English-language book dedicated exclusively to Ninagawa’s work. Featuring an overview of his extraordinary output, this study considers his Shakespearean work within the context of his overall career. Individual chapters cover Ninagawa’s approach Shakespeare and Greek tragedy, in particular his landmark productions of Macbeth and Medea, and his eight separate productions of Hamlet. The volume includes a detailed analysis of the Sai-no-Kuni Shakespeare Series – in which Ninagawa set out to stage all of Shakespeare’s plays in his hometown of Saitama, north of Tokyo. Written by Conor Hanratty, who studied with Ninagawa for over a year, it offers a unique and unprecedented glimpse into the work and approach of one of the world’s great theatre directors.

Conor Hanratty is a theatre and opera director from Dublin, Ireland. He was awarded a Monbukagakusho (Japanese Government) Scholarship to study at Waseda University in Tokyo, and has an MFA in Directing from UCLA. He spent a year in rehearsal with Ninagawa, observing the creation of several productions.

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