Shakespeare in the World

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A01=Suddhaseel Sen
adaptation theory
Author_Suddhaseel Sen
Bankim's Writings
Bankim’s Writings
Bengali Intelligentsia
Bengali Literature
Bengali Theatre
Boito's Libretto
Boito’s Libretto
Category=DSBC
Category=DSBF
Colonial Bengal
Colonial India
Colonial Mimicry
cross-cultural Shakespeare reception
Donizetti's Lucia Di Lammermoor
Donizetti’s Lucia Di Lammermoor
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Giulio Ricordi
Indian Adaptations
intercultural performance
Intermedial Adaptation
La Place
Mad Scene
Male Sexual Jealousy
nationalist cosmopolitanism
Nationalist Cosmopolitanisms
Nineteenth Century Bengal
nineteenth-century theater
Non-Anglophone communities
operatic adaptations
Othello's Jealousy
Othello’s Jealousy
Pierre Le Tourneur
Post-unification Italy
postcolonial literature
Shakespeare Adaptation
Shakespeare Reception
Shakespeare's Othello
Shakespeare’s Othello
Verdi's Otello
Verdi’s Otello
Vincent Van Gogh
Young Men

Product details

  • ISBN 9780367568870
  • Weight: 405g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Shakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare’s plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard’s iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies.

Suddhaseel Sen is Assistant Professor of English in the Department of Humanities and Social Sciences at IIT Bombay. He has a PhD in English (Collaborative Programme in South Asian Studies) from the University of Toronto and a second PhD in Musicology from Stanford University. Sen has been a Research Fellow for the Balzan Research Project, Towards a Global History of Music, directed by Reinhard Strohm. His publications include essays on Shakespeare adaptations; cross-cultural exchanges between Indian and British musicians; Richard Wagner and German Orientalism; nineteenth-century Bengali literature and culture; and films by Satyajit Ray and Vishal Bhardwaj, among others.

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