Shakespeare, Performance and the Archive

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A01=Barbara Hodgdon
Albert Theatre
archival research methods
Author_Barbara Hodgdon
bogdanov
Category=AFKP
Category=ATD
Category=DDA
Category=DSBD
Category=DSG
company
DA DA
David Suchet
deputy
Deputy Stage Manager
embodied practice analysis
english
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ethnographic theatre research
Evening Tail Coat
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Greenaway’s Prospero’s Books
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Ian Barber
Ian McKellen
john
John Woodvine
King's Colors
King’s Colors
La Tour
Left Frame
London Metropolitan Archives
managers
material culture in drama
mckellen
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Michael Bogdanov
National Theatre Archive
performance studies
Perspex Ball
re-performance archival analysis
Rehearsal Photographs
Rehearsal Scripts
Richard III
Ruby Wax
Shakespeare Centre Library
stage
Stick Exercises
theatre historiography
Verso Page
White Space

Product details

  • ISBN 9780415682954
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Nov 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance. An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of The End Crowns All, The Shakespeare Trade and most recently the Arden 3 edition of The Taming of the Shrew.

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