Shakespeare, Race and Performance

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actors
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bard
black
Black Actress
British Asian Communities
British Asian Culture
British East Asian Actors
British theatre diversity
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Colour Blind Casting
company
Contemporary Dance Training
diaspora identity representation
Dilwale Dulhania Le Jayenge
diverse
Diverse Bard
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globe
Inclusive Casting
inclusive stage casting
Indian Classical Dance
intersectional feminism drama
Ivory Coast
Johannesburg's Market Theatre
Johannesburg’s Market Theatre
Khan's Production
Khan’s Production
Medical Brain Drain
multicultural theatre studies
Nelson Mandela
Niyi Osundare
Oregon Shakespeare Festival
postcolonial performance analysis
race and Shakespeare adaptation research
Richard III
royal
RSC Production
Shakespeare's Globe
shakespeares
Shakespeare’s Globe
tara
Tara Arts
UK Muslim
UK Stage
Young Man
Young Vic

Product details

  • ISBN 9781138913813
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare?

The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions.

Editor Delia Jarrett-Macauley assembles a stunning collection of classic texts and new scholarship by leading critics and practitioners, to provide the first comprehensive critical and practical analysis of this field.

Delia Jarrett-Macauley is the author of The Life of Una Marson 190-65, and of the Orwell Prize-winning novel Moses, Citizen and Me.