Shakespeare’s Contested Nations

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A01=L. Monique Pittman
Author_L. Monique Pittman
BBC Adaptation
BBC's Diversity
BBC’s Diversity
Boar's Head Tavern
Boar’s Head Tavern
Brexit Vote
British identity formation
Category=DSBC
Category=DSG
Charles III
Colorblind Casting
diversity in drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gender and race studies
Henry IV
Heritage Film
History Plays
Hollow Crown
Hytner's Production
Hytner’s Production
institutional performance analysis
Magical Negro
multiculturalism in UK arts
Non-traditional Casting
Parekh Report
Postcolonial Melancholia
postcolonial theatre
representation in Shakespeare adaptations
Richard II
Richard III
RSC Production
Shakespeare's Globe
Shakespearean History
Shakespeare’s Globe
Televisual Adaptation
Vote Leave
Wolf Hall
York's Death
York’s Death
Young Man

Product details

  • ISBN 9780367488314
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Shakespeare’s Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation’s story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to re-examine the nation’s multicultural past, present, and future in more intentional, self-critical, and truly progressive ways.

A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function that Shakespeare’s narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles—staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000–2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC’s Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett’s King Charles III (2014, 2017).

This book will be of great interest to scholars and students of Shakespeare, theatre, and politics.

L. Monique Pittman is Professor of English and Director of the J. N. Andrews Honors Program at Andrews University, USA.

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