Shakespeare’s Hobby-Horse and Early Modern Popular Culture

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Natalia Pikli
Academic Drama
Author_Natalia Pikli
Bartholomew Fair
Category=AB
Category=AFKP
Category=ATD
Category=ATQ
Category=DDA
Category=DS
Category=JBCC
Category=JBCC1
Cheap Print
Church Ales
cultural memory theory
Cynthia's Revels
Early Modern
Early Modern Popular Culture
early modern popular culture research
early modern theatre
Emblem Books
English Emblem Books
English Renaissance drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
Fairy Queen
gender in performance
George Wither
iconography analysis
Jack Drum's Entertainment
Jailer's Daughter
Lord Chamberlain's Men
Maid Marian
Midsummer Night's Dream
Morris Dance
morris dance studies
Noble Kinsmen
Page Boy
Popular Culture
Richard Brathwait
Robert Armin
Valiant Welshman
Winter's Tale
Young Men

Product details

  • ISBN 9780367514150
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between the 1580s and 1630s.

Natália Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England.

The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography.

Natália Pikli is an Associate Professor at the Department of English Studies, School of English and American Studies, Eötvös Loránd University, Budapest, and was Guest Lecturer at the Hungarian University of Theatre and Film Arts.

More from this author