Shakespeare’s Mirrors

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A01=Edward Evans
Author_Edward Evans
Category=ATD
Category=DDA
Category=DSA
Category=DSB
Christian humanism
conscience in drama
early modern dramatic characterisation
Elizabethan theatre
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eq_bestseller
eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_poetry
Geneva Bible influence
Pauline anthropology
self-reflexive performance

Product details

  • ISBN 9781032727004
  • Weight: 390g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Clear mirrors and The Geneva Bible, revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul’s idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare’s Mirrors charts the invention of a drama that staged the unstageable: St. Paul’s metaphysical conception of human nature glimpsed through a looking glass darkly.

Chapters 4 and 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

Edward Evans received his BA in Ancient and Modern History and MPhil in Oriental Studies from the University of Oxford. He received his Ph.D. in English Literature from Bar-Ilan University.

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