Shakespeare’s Suicides

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A01=Marlena Tronicke
Antony's Suicide
Antony’s Suicide
Author_Marlena Tronicke
Brutus's Suicide
Brutus’s Suicide
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Category=DS
Category=DSB
Cleopatra's Suicide
Cleopatra’s Suicide
Desdemona's Death
Desdemona’s Death
Dover Cliff Scene
Dramatic Attention
early modern drama
English Renaissance theater
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Frances De La Tour
gender and suicide in Shakespearean plays
gendered death analysis
Gertrude's Speech
Gertrude’s Speech
Jailer's Daughter
Jailer’s Daughter
Juliet's Suicide
Juliet’s Suicide
Lady Macbeth's Death
Lady Macbeth’s Death
Lavinia's Body
Lavinia’s Body
literary gender discourse
Macbeth's Death
Macbeth’s Death
Offstage Death
onstage violence research
Ophelia's Death
Ophelia’s Death
Othello's Suicide
Othello’s Suicide
Portia's Death
Portia’s Death
Richard III
Roman Death
Roman Fool
Shakespeare's Suicides
Shakespeare’s Suicides
Titus Andronicus
tragic character studies
Tragic Flaw
Vice Versa
Young Man

Product details

  • ISBN 9780367890964
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Shakespeare’s Suicides: Dead Bodies That Matter is the first study in Shakespeare criticism to examine the entirety of Shakespeare’s dramatic suicides. It addresses all plays featuring suicides and near-suicides in chronological order from Titus Andronicus to Antony and Cleopatra, thus establishing that suicide becomes increasingly pronounced as a vital means of dramatic characterisation. In particular, the book approaches suicide as a gendered phenomenon. By taking into account parameters such as onstage versus offstage deaths, suicide speeches or the explicit denial of final words, as well as settings and weapons, the study scrutinises the ways in which Shakespeare appropriates the convention of suicide and subverts traditional notions of masculine versus feminine deaths. It shows to what extent a gendered approach towards suicide opens up a more nuanced understanding of the correlation between gender and Shakespeare’s genres and how, eventually, through their dramatisation of suicide the tragedies query normative gender discourse.

Marlena Tronicke is Assistant Professor of English at the University of Münster, Germany. Apart from Shakespeare and early modern drama in general, her areas of research and teaching include adaptation, Neo-Victorianism, as well as contemporary British theatre.

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