Shakespearean Biofiction on the Contemporary Stage and Screen

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& Juliet
adaptation
adaptation studies
All is True
appropriation
Bill Film
biography
Black Tudors
Category=ATD
Category=ATFA
Category=DSG
cinema
Emilia Lanier
Emilia play
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eq_biography-true-stories
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eq_non-fiction
feminisim
film and TV criticism
First Folio
Fourth-wave feminism
Hamnet
Horrible Histories
Jane Austen
Julius Caesar
Kenneth Branagh
Laurence Rickard
LGBTQ+
literary criticism
Maggie O'Farrell
Morgan Lloyd Malcolm
queer studies
race studies
Rebecca Solnit
Romeo and Juliet
Shakespeare biopic
Shakespeare biopics
Shakespeare fan fiction
Shakespeare in Love
Shakespeare on film
Shakespeare parody
Shakespeare television
Shakespeare's lost years
The Tempest
trans studies
Upstart Crow
William Shakespeare

Product details

  • ISBN 9781350359246
  • Weight: 260g
  • Dimensions: 134 x 214mm
  • Publication Date: 26 Jun 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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This book is the first edited collection to explore Shakespeare’s life as depicted on the modern stage and screen. Focusing on the years 1998-2023, it uniquely identifies a 25-year trend for depicting Shakespeare, his family and his social circle in theatre, film and television.

Interrogating Shakespeare’s afterlife across stage and screen media, the volume explores continuities and changes in the form since the release of Shakespeare in Love, which it positions as the progenitor of recent Shakespearean biofictions in Anglo-American culture. It traces these developments through the 21st century, from pivotal moments such as the Shakespeare 400 celebrations in 2016, up to the quatercentenary of the publication of the First Folio, whose portrait helped make the author a globally recognisable icon. The collection takes account of recent Anglo-American socio-political, cultural and literary concerns including feminism, digital media and the biopic and superhero genres.

The wide variety of works discussed range from All is True and Hamnet to Upstart Crow, Bill and even The Lego Movie. Offering insights from actors, dramatists and literary and performance scholars, it considers why artists are drawn to Shakespeare as a character and how theatre and screen media mediate his status as literary genius.

Edel Semple is Lecturer in Shakespeare Studies at University College Cork, Ireland.

Ronan Hatfull is Lecturer and Senior Associate Tutor in Theatre and Performance Studies at the University of Warwick, UK.