Shakespearean Films/Shakespearean Directors

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A01=Peter S. Donaldson
Author_Peter S. Donaldson
Birnam Wood
Capulet Ball
Category=ATF
Category=ATFB
Category=ATFN
Category=DDA
Category=DSA
Category=DSB
Category=DSBD
Category=DSG
Category=JBCT
Category=NH
Crucial Failure
De Crevecoeur
Eileen Herlie
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
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eq_nobargain
eq_non-fiction
eq_poetry
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film directors
Final Kiss
Independent Black Filmmaking
Juliet's Hand
Juliet’s Hand
King Lear
King Lear film
Lear's Lines
Lear's Shadow
Lear’s Lines
Lear’s Shadow
Liz White
Long Shot
Mao Ze Dong
Mistress Quickly
North Castle
Oak Bluffs
Olivier film
othello film
Peter S Donaldson
Reverse Angle Shots
Romeo's Banishment
Romeo’s Banishment
Screen Plane
shakespeare director
shakespeare film
Shakespeare's Lear
Shakespeare’s Lear
Tragic Flaw
Verbal Recovery
Welles's Othello
Welles’s Othello
Young Man
Zeffirelli

Product details

  • ISBN 9781138981799
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.

Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext.

With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature.

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